This infrared photography tutorial will help you understand how to do infrared photography by breaking down and explaining the concepts and the issues.

You are interested in infrared (IR) photography in general, but you would like to know more about the topic before you get started? You are already considering infrared photography, but don’t know what to expect? This infrared photography tutorial is here to answer your questions, enable you to make decisions you will not regret and provide you with useful tips.

What is digital infrared photography?

The first thing we will cover in this infrared photography tutorial is: “What is this all about?”. In a nutshell, infrared photography is about recording images using a spectrum of light beyond what we can normally see with our naked eyes.

What makes infrared pictures so attractive to many of us? Most would say it is the unreal look of bright white foliage – as if covered with snow, combined with a dark sky and ethereal glow around contrasty edges. Often, infrared pictures are presented in black and white.

Imagine a rainbow. The visible light spectrum consists of wavelengths from ca. 400 nm (violet) to 700 nm (red). Infrared photography uses wavelengths from ca. 700 nm to 1.400 nm (near-infrared light). At the opposite end of the spectrum, ultraviolet photography uses wavelengths from ca. 300 nm to 400 nm. You can find more technical background in this Wikipedia article.

One of the nice things about infrared photography is that it works best in strong, direct sunlight. This is usually when all the other photographers complain about “bad” or “too harsh” light.

Getting started

This infrared photography tutorial covers the two major options to get started with digital infrared photography. You can either use an infrared filter or you can have your camera converted to infrared:

Infrared filters

Image of Infrared filters
Infrared filters [Credit: Peter Halasz]

The most cost-efficient way to try out if digital infrared photography is something you like or not, is to purchase an infrared filter. When you screw the filter on your lens and look through your viewfinder / at your rear display, you will see… pretty much nothing. Since the visible part of the light is blocked out, only a fraction of the light that would normally reach the sensor passes through the filter. In this regard, using an IR filter is like using a very strong neutral density (ND) filter. As a consequence, you need to either increase the exposure length, open up the aperture and/or increase the ISO value. When using an IR filter, you will need a tripod and be able to shoot only static subjects.

  • Pros: rather inexpensive, no camera modification required
  • Cons: the filter might fit only some of your lenses, no autofocus after mounting the filter, really long exposure times (you absolutely need a tripod and a static subject), focus issues (see below)

Camera conversion

720 nm Infrared filter in an Olympus OM-D E-M5 camera, converted by LifePixel
Infrared filter in front of an Olympus E-M5 sensor

This modification will make your camera much more sensitive to infrared light, compared to using an IR filter. After the conversion, usually you can take handheld pictures the same way as with an unmodified camera. In technical terms, the low pass filter in front of your sensor is replaced with a different piece of glass, which lets infrared light pass but also cuts out at least part of the visible light spectrum. 

You have an older digital camera sitting in the corner collecting dust? You may want to convert it into your brand-new IR converted digital camera. Low resolution is usually not an issue, and noise at higher ISO values will actually add to the mood of your pictures.

  • Pros: autofocus works, “normal” exposure times, usually no tripod required
  • Cons: rather expensive, camera dedicated exclusively to IR photography

Once you have decided to have your camera converted, your next question will be: Who can I contact to have my camera converted? You will find all the details in my article Infrared Camera Conversion Service: The Ultimate Provider List.

Which company should I choose?

Please note that I have no affiliation with any of the companies above. I do have experience with conversions done by Life Pixel and Advanced Camera Services. Life Pixel did convert for me a Nikon D3200 in 2013 and an Olympus OM-D E-M5 in 2014. Advanced Camera Services did convert for me a Nikon D50 in 2009. I was happy with the conversions done by either company.

What probably makes sense for you is to choose a company close to you or at least within your economic area. For example: if you live in Europe, you should probably choose a company located within the EU. Otherwise you have to be careful when sending your camera abroad.

I did send my Nikon D3200 (which I bought in Europe) to Life Pixel in the US for conversion. Everything went smooth, until they shipped the converted camera back to me. At this point, the Austrian tax authorities wanted to charge me import tax and VAT (again) for my own camera.
It took me days of phone calls, discussions and sending documents to authorities to get my camera back. I now understand you need to formally register your camera before you send it abroad, to avoid what happened to me. Honestly, I still don’t fully understand the complete process.

Now you need to make a decision

This is probably the toughest decision you need to make in this digital infrared photography tutorial. Think about the following question: What attracts you when you look at IR pictures? Is it the false colors? The white foliage with a blue sky? Or do you prefer black and white IR? Because with one exception, you cannot have it all at the same time.

These are your choices

In the “good old days” of film photography, your choices were very much limited by the type of IR film available. With digital infrared photography, you have many more options available to you, especially when you convert a camera. The following table lists your choices. Since all the IR filter makers and camera conversion companies use different terminology, I tried to use common terms as much as possible. For visual examples of the various filter types, look at the comparison pages provided by Life Pixel and Kolari Vision.

Filter typeComments
Deep B&W IR (820-830 nm)With this filter type, you are basically restricted to pure black and white conversions. The raw data does not contain any color information. On the other hand, if you are after black and white images anyway, this filter type will make you happy with the darkest skies and the brightest foliage.
Standard IR (700-720 nm)If you are unsure about which filter to choose, take this one. It is a good compromise between false color and black and white. You can achieve the infrared blue sky effect, and you can achieve nice black and white conversions. This is the filter I am using in all my converted cameras.
Enhanced IR (650-665 nm)Basically the same results as with a standard IR filter, but with slightly more color information in the raw data. Out of the camera, the picture has slightly less contrast compared to a standard IR filter. Consequently, this filter is your best choice if you like pictures with the IR blue sky effect.
Super/Ultra color IR (590-600 nm)This filter will retain the highest amount of color information in the raw data. Therefore this filter is your best choice if you like false color IR photography.
Full Spectrum conversionThis is your choice if you don’t want to limit your options. The filter lets the entire light spectrum pass, from Ultraviolet to Infrared. You can then select the desired spectrum by placing a filter on your lens. This approach is a combination of using infrared filters and camera conversion. While this is the most flexible option, it is also less convenient. You will need to carry multiple filters or at least step-up rings for all your lenses.

If you would like to know more about Full Spectrum conversions, I recommend reading Dewitt Jones’ article Full Spectrum. The article was originally published in Outdoor Photographer, but is now available online.

Issues you need to be aware of

One of the reasons why I wrote this infrared photography tutorial was that there are some important things you need to be aware of. You need to be aware of them before you start your personal journey into infrared photography:

White balance issues

Depending on your infrared filter choice, the automatic white balance feature of your camera may no longer work as expected. A typical symptom is that on your camera display, the pictures will show up with a strong red cast. For “Deep” and “Standard” IR filters, you can reduce the strong red cast by taking a custom white balance reading off an area of green grass or green foliage. For “Enhanced” and “Super” IR filters, you can try setting white balance using a standard grey card. Disclaimer: LifePixel provided this helpful information.

To work around the reddish pictures on your camera display, set your camera to take RAW (instead of JPEG) pictures and enable the “black and white” mode in your camera. This way, you display will show you a nice black and white preview of your image, but your RAW file still contains all the color information.

Infrared pictures in Lightroom

Especially if you are using Lightroom, be prepared the be shocked the first time you import infrared pictures. The pictures will look nowhere near like on the display of your camera, but will show a strong red cast:

This is how an infrared image looks like after importing in Lightroom
Infrared image after importing in Lightroom

You can reduce the red cast somehow by setting the right white balance in camera, but usually what you will see right after the import is similar to the example above. This is true even if you did follow the the instructions above and the pictures on the back of your camera did not look bad at all. This issue is caused by limitations in the software. I wrote an article about how to fix this and set the proper white balance in Lightroom. If you use different software to edit your pictures, this issue probably does not affect you.

Lens issues

Almost all of the lenses produced are designed for optimal performance in visible light, so their infrared performance is not predictable. There are also no simple rules like “More expensive lenses work better in infrared light”. In fact, I have often found the opposite to be true. When the lens is not suitable for infrared photography, you will see a hot spot on your picture. A hot spot is is a circular area in the center of your picture, with a visible brightness (and often also a color) shift:

Example of an infrared hot spot that occurs when the lens is not really suitable for infrared photography
Infrared hot spot (enhanced for demonstration purpose)

A hot spot usually shows up more prominent if the camera is pointed towards a strong light source, like the sun. A hot spot may also only be visible at certain aperture settings. The only reliable way to find out if a lens will produce a hot spot, is to test it. A good idea would be to rent a lens for a weekend, before you buy it for your infrared camera.

Having said that, the Internet is full of reports about the IR suitability of specific lenses. The best collection I have found so far is the Lens Hotspot Database by Kolari Vision. Other resources are IR and Lenses by DPanswers and the IR Photography Intro on Ultraviolet Photography. Or you can just google your lens name plus “infrared”.

Focusing issues

Infrared light does not focus at the same point as visible light, this fact is called infrared focus shift. If you are the owner of an older lens, look at the distance scale. You will find a (typically red) mark – either a dot or an “R” as in the example below:

Lens distance scale with visible infrared focus mark
Infrared focus mark on the distance scale of an older lens

This is the infrared focus mark. It indicates how far you need to rotate the focus ring to achieve correct focus in infrared light. With an infrared filter in front of your lens, this is your only choice to get the correct focus. First, you focus using visible light. Then you screw the infrared filter on the front of your lens and turn the focus ring according to the infrared focus offset. Unfortunately, most of the newer lenses do not have this mark anymore. Without this mark and using an infrared filter, you can only guess the correct focus distance. You can use a small aperture to increase the depth of field. Or you can take a series of pictures with slightly different focus distance settings and check for correct focus on the camera display.

Focusing with a converted camera

With a converted camera, focusing is a lot easier, as your camera’s autofocus system will be usable. But it will not always focus correctly, depending on the type of autofocus system it uses:

  • DSLR cameras typically use phase detection autofocus systems. They are very fast, but their accuracy depends on the wavelength of the light. That means, during the conversion, the DSLR needs to be calibrated to a specific lens. This is becuase each lens has a different infrared focus shift. Or you can have your DSLR calibrated to visible light and use the infrared focus marks on your lens for correction.
  • However, if you use the “Live View” feature of your DSLR, it will use contrast detection autofocus. This is also the autofocus system used by most mirrorless cameras on the market. This autofocus system is generally slower, but more precise. Its biggest advantage is that it works independent from the wavelength of the light. As such, it does not require any form of calibration if you want to use the camera for infrared photography.

If you would like to read more about the differences between the various autofocus systems, Wikipedia has a good article about autofocus.

In summary, mirrorless cameras do have an advantage over DSLRs when you convert them to infrared. There is no need to calibrate them to a specific lens. Their contrast-detection autofocus system works as good in infrared light as in visible light. With a DSLR, make sure to use the “Live View” feature for precise infrared focus.

Conclusion and checklist

After going through this infrared photography tutorial, I hope you have a better understanding of your choices, but also the limitations. Summarizing the information above, this is your infrared photography checklist:

  • Decide if you would like to try out (get an infrared filter) or get serious (have a camera converted) about infrared photography
  • Decide on your choice of infrared filter, based on what you like about infrared pictures
  • Make sure your pictures are as neutral as possible by ensuring proper white balance in-camera and in your photo editor
  • Research the lens you are planning to use – it should not produce visible hot spots
  • Be aware of the infrared focus shift and address it by using the infrared marker on your lens or by using contrast-based autofocus with your DSLR

With that, I wish you good light and a lot of success with your infrared pictures! If you have any questions regarding this digital infrared photography tutorial, please leave a comment below and I will be happy to reply with my best knowledge.